Book designand typesetting.
A book that looks like a publisher made it.
A cover has to work at the size a retailer shows it, an interior has to survive three hundred pages in an armchair, and the press files have to match what your printer asks for. Three different crafts, and most books get one of them right.
Start a projectWhat we offer
Print and digitalCover design
Front, spine and back as one object, since that is how it prints and how it sits on a shelf. Series and imprint systems where more than one title has to look related.
- Cover design
- Series and imprint systems
- Dust jackets and case wraps
- Barcode and ISBN placement
- Thumbnail legibility checks
Interior typesetting
The reading experience. Type chosen for length and set on a grid, with the small mechanics attended to rather than left where the software put them.
- Interior typesetting
- Type and page size
- Baseline grid and margins
- Running heads and folios
- Footnotes, tables and images
Front and back matter
Everything around the text: half title, copyright, contents, acknowledgements, index and colophon. This is where a book most often gives away that nobody set it properly.
- Title and copyright pages
- Contents and part openers
- Index setting
- Endnotes and bibliography
- Colophon
Press-ready files
The handoff to the printer. Spine width from the final page count, bleed and trim to their spec, colour and resolution checked, exported to the standard they ask for.
- Press-ready PDF/X export
- Spine width from page count
- Bleed, trim and safe margins
- Colour space and image resolution
- Printer proof checks
Ebook and audio-ready
The same book in the other formats people buy it in. Reflowable EPUB, fixed layout where the design depends on the page, and a clean manuscript for narration.
- Reflowable EPUB
- Fixed-layout EPUB
- Retailer specifications
- Accessible structure and alt text
- Narration-ready manuscripts
Books we've made
Cover and interior, from the print files
Every Square Inch
Joseph Boot · Ezra PressThe concise edition of a much longer book, which meant the interior had to carry three hundred pages of dense argument without tiring the reader. Type chosen for length, set on a grid, with the scripture references, footnotes and chapter openings all given a consistent place. The cover is built to hold up as a thumbnail on a retailer's grid and as a printed board.

How a book comes together
Fewer hand-offs, faster buildsPrint has one constraint the rest of our work does not. Once it is printed, it is printed, so the sequence is fixed.
Cover direction
Settled first, because everything used to sell the book is built around it.
Wait for final text
We set pages once the manuscript has stopped changing. Re-flowing a laid-out book because a chapter moved is expensive and avoidable.
Typeset the interior
Type, grid, front and back matter, and the small mechanics. You approve a full sample chapter before the whole book is set.
Build the press files
Last, and only once the page count is final, because the spine depends on it. A physical proof is checked before the run.
Where this comes up most
Sectors we have real work inAlso from us
The rest of what we doQuestions we get
Tell us what you're building.
Send a paragraph. You’ll get a reply from the person who would do the work, not a sales rep.